"Imaginative Drawings in Monochrome"
Curator's Gallery Talk
The curator of this exhibition will give commentaries on the art works. It will be conducted in Japanese.
| Title | "Imaginative Drawings in Monochrome" Curator's Gallery Talk |
|---|---|
| Date and Time | Friday, 4 August 7:00pm- *will be held for approximately 30 minutes |
| Venue | |
| Admission | Free *No application required. |
| Organized by | Tokyo Shibuya Koen-dori Gallery, Museum of Contemporary Art Tokyo, Tokyo Metropolitan Foundation for History and Culture |
Related Event
Related Events of "Imaginative Drawings in Monochrome"
Drawing + Talk: “Pictures You Can See and Hear Music In and Their Stories”
- Period
- Friday, 28 July 2023
- Venue
- Tokyo Shibuya Koen-dori Gallery, Gallery１, Gallery2
- Admission
- Free
This is an event of public production of drawings and talk.
※Conducted in Japanese.
【This event has ended】
Related Events of exhibition "Imaginative Drawings in Monochrome”
Appreciation Event "Miru to Wa"
- Period
- Monday,28 August/ Tuesday, 12 September/ Wednesday, 13 September
- Venue
- Tokyo Shibuya Koen-dori Gallery, Gallery１, Gallery2
- Admission
- Free
At this event participants appreciate art with other participants.
※Conducted in Japanese.
Related Events "Imaginative Drawings in Monochrome"
Artist Talk| Guest: Tanukidashin
- Period
- Friday, 8 September 2023
- Venue
- Tokyo Shibuya Koen-dori Gallery, Gallery１, Gallery2
- Admission
- Free
※Conducted in Japanese
Related Exhibition
Imaginative Drawings in Monochrome
- Period
- Saturday, 22 July 2023 - Sunday, 24 September 2023
- Closed
- Mondays (except 18, September) and 19 September
- Venue
- Tokyo Shibuya Koen-dori Gallery, Gallery１and Gallery 2
- Opening Hours
- 11:00 AM- 7:00 PM
*Open until 9:00pm on 28 July, 4, 11, 18 and 25 August for "Summer Night Museum". - Admission
- Free Admission
This exhibition focuses on the unique expressive world of a limited monochrome color palette. Featured are works employing drawing tools such as charcoal, pen, and needle as well as works employing materials rarely used for drawing, such as wire, and works whose image emerges from inscribed words and icons. How broadly and deeply can we discover the meaning of “depiction” in a varied range of works displaying strong contrasts as a result of narrowing down the options?
