Related Events of exhibition "Imaginative Drawings in Monochrome”
Appreciation Event "Miru to Wa"
Art Direction, Design: Yosuke Okita / attitude inc.
*Conducted in Japanese
At this event participants appreciate art with other participants. By gazing carefully at a work, you may encounter new ideas that you would not be able to find by yourself. This is a special 2 hour event you can explore your mind and heart to see how you feel in front of an artwork.
| Title | Appreciation Event "Miru to Wa" |
|---|---|
| Date and time | ［１］Monday, 28 August,2023 2:00PM‐4:00PM *The gallery will be closed on 28 August. ［２］Tuesday, 12 September, 2023 6:30PM‐8:30PM ［３］Wednesday, 13 September, 2022 18:30-20:30 |
| Navigators | SHIRATORI Kenji (Blind art appreciator/Photographer) |
| Venue | Tokyo Shibuya Koen-dori Gallery, Gallery１, Gallery2 |
| Admission | Free |
| Capacity | 5 persons in each time （raffle） |
| Application period | Tuesday, 25 July, 2023- Sunday, 30 July, 2023 |
Related Event
Related Events "Imaginative Drawings in Monochrome"
Artist Talk| Guest: Tanukidashin
- Period
- Friday, 8 September 2023
- Venue
- Tokyo Shibuya Koen-dori Gallery, Gallery１, Gallery2
- Admission
- Free
※Conducted in Japanese
Related Events of "Imaginative Drawings in Monochrome"
Drawing + Talk: “Pictures You Can See and Hear Music In and Their Stories”
- Period
- Friday, 28 July 2023
- Venue
- Tokyo Shibuya Koen-dori Gallery, Gallery１, Gallery2
- Admission
- Free
This is an event of public production of drawings and talk.
※Conducted in Japanese.
Related Exhibition
Imaginative Drawings in Monochrome
- Period
- Saturday, 22 July 2023 - Sunday, 24 September 2023
- Closed
- Mondays (except 18, September) and 19 September
- Venue
- Tokyo Shibuya Koen-dori Gallery, Gallery１and Gallery 2
- Opening Hours
- 11:00 AM- 7:00 PM
- Admission
- Free Admission
This exhibition focuses on the unique expressive world of a limited monochrome color palette. Featured are works employing drawing tools such as charcoal, pen, and needle as well as works employing materials rarely used for drawing, such as wire, and works whose image emerges from inscribed words and icons. How broadly and deeply can we discover the meaning of “depiction” in a varied range of works displaying strong contrasts as a result of narrowing down the options?
