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- IMAMURA Ryosuke × MITSUSHIMA Takayuki―Research Project on the Senses Any Point “P” in the Domain of Sensations
IMAMURA Ryosuke × MITSUSHIMA Takayuki
Research Project on the Senses
Any Point “P” in the Domain of Sensations
15 February (Sat) –11 May (Sun) 2025
Exhibitions
Gallery 1 & 2
Interactive Space
Installation view of Pre-event: Any Point “P” (In front: IMAMURA Ryosuke, MITSUSHIMA Takayuki 《Tactile Tables》2024, back: MITSUSHIMA Takayuki《Sayakani irotenji — From the Poems of Nakahara Chuya》2023-2024) Photo: MAETANI Kai
Title | IMAMURA Ryosuke × MITSUSHIMA Takayuki
Research Project on the Senses Any Point “P” in the Domain of Sensations
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Period | 15 February (Sat) –11 May (Sun) 2025
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Opening Hours | 11:00 a.m. - 7:00 p.m.
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Closed | Mondays (Except 24 February, 5 May), 25 February (Tue), 7 May (Wed)
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Venue | Tokyo Shibuya Koen-dori Gallery, Interactive Space, Galleries 1 and 2
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Admission | Free
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Artists | IMAMURA Ryosuke, MITSUSHIMA Takayuki
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Planned by | Atelier MITSUSHIMA, IMAMURA Ryosuke, Tokyo Shibuya Koen-dori Gallery
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Organized by | Tokyo Shibuya Koen-dori Gallery, Museum of Contemporary Art Tokyo, Tokyo Metropolitan Foundation for History and Culture
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Artists
IMAMURA Ryosuke 1982-
Lives and works in Kyoto Prefecture. Employing various media including installations, video, painting, and text, Imamura Ryosuke examines small events in everyday life and expresses them in forms that act on the viewer’s memory and senses. He first encountered Mitsushima through “The Kyoto Archive of Art by People with Disabilities” project operated since 2018 at “art space co-jin” (Kyoto Prefecture) by the Kyoto Culture and Art Promotion Organization for People with Disabilities.
Imamura’s many exhibitions include Yokohama Triennale 2011 at the Yokohama Museum of Art (Kanagawa Prefecture, 2011) and the 5th Shiseido Art Egg at Shiseido Gallery (Tokyo, 2011). He has worked in Europe as an artist-in-residence and as an overseas training program participant. Collected by: Hyogo Prefectural Museum of Art (2017).
Dokoka no koto, 2021, variable size, mixed media Photo: KIDO Tamotsu
Installation view of Prepared Toy Piano, 2023, variable size, mixed media at the IMAMURA Ryosuke x MITSUSHIMA Takayuki “The Edge of the Senses” exhibition (Atelier MITSUSHIMA Sawa-Tadori, 2023) Photo: KATAYAMA Tatsuki
MITSUSHIMA Takayuki 1954-
Born in Kyoto Prefecture. Mitsushima Takayuki lost his sight at the age of ten. While practicing acupuncture for a living, he has explored new expressive methods to communicate his own physical sensations. In addition to “touchable paintings” employing tape and cutting sheets, he employs other original methods of his own, such as “tactile collages”* and “nail series.” In 2020, he opened studio “Atelier Mitsushima” as a base for exploring new approaches to barriers.
Mitsushima’s many exhibitions included “KALEIDOSCOPE: Six Individual Expressions" at the Setagaya Museum of Art (Tokyo, 2003) and "MOT Satellite 2019 Wandering, Mapping” at the Museum of Contemporary Art Tokyo (Tokyo, 2019). Collected by: Museum of Contemporary Art Tokyo (2019), others.
*By touching materials that combine various textures, viewers can sense the world that Mitsushima knows through his senses.
Sayakani irotenji — From the Poems of Nakahara Chuya, 2023-2024, variable size, nails, acrylic paint, bond, wood pieces, other mixed media. Cooperation: TAKAO mokuzai Co., Atelier MITSUSHIMA, Photo: KATAYAMA Tatsuki, “The Edge of the Senses” exhibition (Atelier MITSUSHIMA Sawa-Tadori, 2023)
Sayakani irotenji — From the Poems of Nakahara Chuya, 2023-2024, variable size, nails, acrylic paint, bond, wood pieces, other mixed media. Cooperation: TAKAO mokuzai Co., Atelier MITSUSHIMA, KATAYAMA Photo: Tatsuki, “The Edge of the Senses” exhibition (Atelier MITSUSHIMA Sawa-Tadori, 2023)
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